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Design Language
California Institute of the Arts/Coursera
Criticism
Example of valid and effective forms of criticism:
“This poster has a strong visual hierarchy that is clearly articulated in the design. The visual emphasis on the poster’s title—“There is no Planet B”—clearly communicates its primary message: climate change awareness.”
Why?
It points to specific evidence in the design that supports the rating.
It’s not enough to just say the visual hierarchy is strong. To help a designer move a work forward, you need to articulate what elements of the work are contributing to that rating or assessment.
It includes a quantitative rating (“strong”) for a specific criteria (“visual hierarchy”).
Examples of not valid and ineffective criticism:
"This work is bland and boring" - This comment would be considered ineffective because it’s not sufficiently detailed and ultimately is an opinion.
“I don’t like it." - Personal taste shouldn’t figure into critique. Likewise, an affirmative statement, such as “I like it!” or “It’s good!” ultimately doesn’t help a designer move their work forward eithe
"The image reminds me of a painting that my grandmother had hanging over the sofa in her living room.” - Statements that rely on personal anecdote are ultimately subjective. The goal is to provide clear, detailed and objective feedback to a designer. Also, it is highly likely no one else has seen your grandmother's painting.
Lexicon: a vocabulary of specific terms that are shared by designers and used to describe and analyze design work
Critique Framework: Category framework x Rating (Strong/Fair/Weak)
FUNCTION
AUDIENCE
HIERARCHY
COMPOSITION
VISUAL CONTRAST
ADDITIONAL CONTRASTS (Assess all that apply: scale, weight, texture, line, value, color)
MEANING
NARRATIVE / SEQUENCE
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